BOOK REVIEW: "AN EXCEPTIONAL FIRST NOVEL WHICH IS HIGHLY ENTERTAINING..."

The Liars' and Fibbers' Academy
Laura Foakes
9+ years

"When Danny Quinn truthfully tells everyone that a stray dog is the reincarnation of his older sister, his mother takes to her bed. Dany is sent to the Liars and Fibbers Academy where he meets Derek, who insists she's a mermaid. They are the only children at the school, which has no teachers.

This is a wonderfully quirky read, which has lots of humour and depth. There is a great cast of characters sich as Danny's granny, Lydia who does head standing yoga and belly dancing, and Miss Balalaika from Petersburg who lives upstairs with her Arthur (arthritis), eats Chum dog food, and looks out for Danny with her cries of 'Oi Vey'. The narrative rattles along, diving into Inigus' past as a mud lark and turd collector for a tannery in Victorian England. There is wit and originality in the writing which swooshes the reader from past to present and then into a further dimension. Underlying the fast paced action is the unfurling story of two children struggling to cope with bereavement and with the guil they carry from feeling they were responsible for their loved ones' deaths.

This is an exceptional first novel which is highly entertaining; it also addresses the burden of self blame which many children carry."

Sophie Smiley

The School Librarian (Winter 2014)

FIND OUT MORE...

OUT NOW

TOMORROW'S WORLDS: WAR OF THE WORLDS

Another side step. Mark Brake, the author of Mark Brake’s Space, Time, Machine, Monster (featuring sections on Doctor Who) reviews the second edition of BBC 2's Tomorrow’s Worlds – a programme about the history of sci-fi. 

The greatest alien invasion in history began on bicycle.

HG Wells planned The War of the Worlds as he,“wheeled about the district marking down suitable places and people for destruction by my Martians”, as early as 1896.  It’s intriguing to picture him mapping mayhem as he declared his intentions to,“completely destroy Woking – killing my neighbours in painful and eccentric ways – then proceed via Kingston and Richmond to London, which I sack, selecting South Kensington for feats of particular atrocity”,(indeed, it’s South Kensington that is haunted by the sound of the Martians howling,“Ulla, ulla, ulla, ulla”in Wells’ finished story).

It’s the exquisite violence of Wells’ imagination that marks his genius. And it’s this delicious balance between the suburban and the alien that is the focus of the second episode of Dominic Sandbrook’s Tomorrow’s Worlds: the Unearthly History of Science Fiction. Sandy, as viewers have come to affectionately know him, almost adopts a space/time/machine/monster structure to this series, but instead of ‘monster’, and as an historian whose expertise includes the Cold War (he’s written a biography on McCarthy), he’s sticking to what he knows most about - invasion paranoia!

Sandy opens this second programme with War of the Worlds, the key Victorian sci-fi work he conveniently skipped in episode one, as it would have ruined his thesis.  He correctly identifies War of the Worlds as the most enduring alien invasion myth of the 20th century.  Wells’ story was essentially copied many times, and adapted directly by Orson Welles in his famous radio broadcast in 1938, when broadcast radio was only 20 years old, making the programme exceptionally innovative, daring, and all the more scary to listeners (Sandy omitted to mention that Welles’ radio version was a Halloween broadcast, making it even scarier).

Another reworking of the War of the Worlds myth was the 1996 movie, Independence Day.  As Sandy says, compared to the original, Independence Day is totally overblown.  Quiet suburban streets are replaced by a ‘drama’ played out in the seats of power, with the world’s landmarks taking a twatting (the film’s director, Roland Emmerich says they took great delight in blowing up the White House).  But Sandy is right when he suggests that this big budget demolition lacks a psychological punch.  When you remove the invasion from suburbia, you lose the sublime tension.  It seems that Spielberg was well aware of this, as both Close Encounters and E.T. do the job brilliantly.

And this brings me round to the topic of Doctor Who.  A few years ago, I was speaking at a London Science Museum event with the Doctor Who writer (among other things!), Paul Cornell.  When the audience asked us about the contribution Doctor Who made to science fiction, I was surprised to hear Paul say that he didn’t think Doctor Who was science fiction.  He thought it was about ‘galaxy and chips’.  I was delighted with this response.  So much so that we’ve used it in our Science of Doctor Who show ever since!

When Peter Capaldi was asked by The Guardian newspaper why Doctor Who had kept its sense of wonder for so long, the Twelfth Doctor gave a similar response to Paul Cornell, “It is this relationship between the domestic and the epic.  The sense that there's a bridge, that a hand can be extended, and you can step from the Earth, from the supermarket car park, into the Andromeda nebulae or whatever”.  It’s that sublime tension again.

The book, Mark Brake's Space, Time, Machine, Monster, also examines how sci-fi helped build the world in which we live. It is is available to buy now from Amazon and the Candy Jar store.

TOMORROW'S WORLDS : MISSING A PAST

Mark Brake, the author of Mark Brake’s Space, Time, Machine, Monster reviews last night’s Tomorrow’s Worlds – a programme about the history of sci-fi. Next week is a Doctor Who heavy episode. Don’t miss it!

On TV, no one can hear you scream.

Or at least that’s what it seemed like last night, as I screamed enthusiastically at historian Dominic Sandbrook’s presentation of Tomorrow’s Worlds: the Unearthly History of Science Fiction, on BBC Two.

Dominic did a reasonable job of guiding us through the science fiction of space, the first theme of this four-part series. But as his focus was film, I felt his theories were left a little lacking in leaving out a lot of the fiction that had inspired the movies.

Witness Dominic’s account of the roots of sci-fi. The origin of it all, he says, comes from tales of trips to the Moon, from the likes of Jules Verne. You can see why Dominic took this tack.  Verne’s book was very influential on one of sci-fi’s first ever films – Le Voyage dans la Lune, a 1902 French silent movie, directed by Georges Méliès.

And yet the first Moon stories of sci-fi were published in the 1630s, over two centuries before Jules Verne, and way before the days of cinema.  Both Somnium, by Johannes Kepler, and A Man in the Moone by Francis Godwin (the Bishop of Llandaff in Cardiff!) were lunar journeys that involved meetings with alien life. Dominic says the cool thing about Jules Verne is that he got the maths right.  Well, Johannes Kepler was Imperial Mathematician to the Pope! Kepler really got his maths right. He was the man who gave us the laws of how the planets move in orbit about the Sun!

Perhaps the programme’s biggest problem was ignoring the influence of that Shakespeare of sci-fi, HG Wells.

Dominic suggested that Star Trek was Victorian in its attitude to other peoples and nations. But, that most influential of the Victorian writers, Wells had warned against such an attitude with The War of the Worlds, a cautionary tale about empires swanning around as if they owned the place.

The programme also suggested that Victorian sci-fi had put man at the centre of the Universe. And yet, the era’s most influential work, The War of the Worlds did exactly the opposite; humans are faced with the technologically superior and invading Martians (I suspect Dominic is conveniently keeping this Wells tale for the next episode on ‘Invasion’).

Next up, Dominic introduces the movie masterpiece, 2001: A Space Odyssey. Its author, Arthur C Clarke, was determined to move humans from their assumed centre of the cosmos, according to Dominic. And yet Clarke’s entire approach was greatly influenced by Wells who had quoted Kepler when he said of alien life, “But who shall dwell in these worlds if they be inhabited? … Are we, or they, Lords of the World? … And how are all things made for man?” In other words, who’s boss of the Universe?! Clarke was following a line started by Kepler, and carried on by Wells.

Still, even though the programme missed out on this longer fictional view for the sake of film, it was nonetheless thought provoking.

The link between the sea and space was conjured up in the programme’s account of the James Cameron movie, Avatar. The film’s main planet, Pandora, presented an ecology very reminiscent of deep sea ecology on Earth. This is no doubt influenced by Cameron’s journey to the Mariana Trench; he’s the first person ever do a solo descent to this deepest part of the ocean.

Science fiction began in the days of Shakespeare. It was Kepler who had first encouraged the building of ships fit for space.  In the last few minutes of the programme, Dominic claimed the desire for space has fizzled out.  No doubt the script was written and filmed before the ESA Rosetta mission successfully plonked a lander on a comet speeding at 40,000mph, much to the adoring delight of the world on social media!

I look forward to the next three episodes; on invasion, robots, and time travel respectively.  Hopefully, people will come out of Tomorrow’s Worlds wanting to know and read more.

The book, Mark Brake's Space, Time, Machine, Monster, also examines how sci-fi helped build the world in which we live. It is is available to buy now from Amazon and the Candy Jar store.

FIRST CLASS COMPANIONS

A big thanks to Books Monthly for this glowing review of Companions: Fifty Years of Doctor Who Assistants in their December issue. Congratulations to them on 15 years on the web!

"If you're expecting an A-Z of Doctor Who companions, well, you'll get it, but you're in for a big surprise, because there have been many, many years when the Doctor Who canon continued without television, in print, of course, and only the most diehard, dedicated follower of the longest-running SF programme will remember the companions who journeyed with the various doctors in those dark days when their adventures were not televised. The author has achieved something quite remarkable in cataloguing and annotating all of those companions and turning the research into something very readable, very approachable. A brilliant book, beautifully produced and printed, and a most welcome addition to the vast library of Doctor Who literature. First class."

Books Monthly

The perfect gift for any Doctor Who fan this Christmas: BUY NOW

BOOK OF THE MONTH

We are thrilled that BBC Sky at Night magazine listed New Stars For Old as book of the month in their November issue (#102).


"New Stars For Old brings the history of astronomy to life through a series of 20 highly readable short stories, each of which mixes facts with a good dose of fiction to introduce us to some of the important characters involved. From the Earth-centred theories of Aristotle and Ptolemy through to the visionary genius of Isaac Newton, the basic theme of the book is to outline the often turbulent path taken in the growth and development of the way we think about the Universe.

The chapters are a mixture of letters, narrative accounts and diary entries, which collectively remind us that the figures involved are not simply names drawn from textbooks, but were people in their own right.

The text focuses throughout on the interplay between astronomy, astrology and science, as well as offering an insight into the influences of religion and political culture on the way astronomers worked. Other characters, both fictional and real, are brought into the stories. The ‘Notes’ sections that follow each chapter inform us off which characters are real and which are imaginary, and provide historical background to the science.

In one of the tales, Johannes Kepler remarks that he followed “where (Tycho) left off, and he picked up from Copernicus who followed Regiomontanus, who relied on Peurbach and all the way back to Ptolemy, no, further, to Callipus and Aristotle, to Eudoxus, to un-named Babylonians.” New Stars For Old tells this story very well and brings history to life in an entertaining and informative way."

5 stars (Outstanding)

Brian Jones
Sky at Night Magazine

Sky at Night magazine is available online and from all good newsagents.
www.skyatnightmagazine.com

www.candy-jar.co.uk/marcread